Review: ‘Tu Hai Meri Kiran’ puts a twist on stalking
· Scroll
Tu Hai Meri Kiran gets its title from the song of the same name in Darr (1993), about a deranged man who harasses the woman with whom he is obsessed. Karan Rawal’s film, which is out in cinemas, gives stalking an intriguing, and absorbing, twist.
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Kiran (Sonakshi Sinha) finds an old flip phone in her house in Mussoorie that connects her to Samar (Zaheer Iqbal). Kiran is a writer struggling to complete her second novel, and is married to Riyaan (Ankit Gupta). Samar, troubled and in trouble for his noxious behaviour, will prove to be a handful for Kiran.
Rawal’s screenplay, which borrows its major idea from a Korean show, is laden with suspense. The least twisty aspect of Tu Hai Meri Kiran is that stalking behaviour, which is condoned by the euphemism “one-sided love”, has frightening staying power. This idea gives a tinge of horror to Karan Rawal’s screenplay, despite strenuous efforts to humanise Samar and give him a tear-jerking back story.
Rawal admirably maintains an air of tension across 125 minutes. Some willing suspension of disbelief is necessary to go along with the film’s conceit. While Rawal delivers a technically solid and competently performed thriller, the decision to treat Samar with empathy and concern, rather than call out his toxicity,...